CROM Update 072 | Anthology #1 | LIVE - Weeks Away from Pre-Ordering - Are you on the Mailing List?
In Episode 72 of the CROM Updates Podcast, host Kurt Brugel shares his progress on the CROM Anthology #1, revealing that he’s only weeks away from sending the book to print for the artist proof. He discusses completing the final batch of spot illustrations for CROM of Klarn—his adaptation of Gardner F. Fox’s Sword of the Seven Suns—and reflects on his approach to staying true to Fox’s pulp storytelling style while expanding Crom’s mythology. Kurt emphasizes his methodical and low-stress workflow, encouraging contributors and fans to enjoy the process of creation rather than feeling pressured by deadlines.
Kurt also unveils the finalized cover art for CROM Anthology #1, a full-color “virgin cover” featuring the four core symbolic elements of the Crom universe: the barbarian hero, a beautiful woman, a monster, and a wizard. He explains how this design template will define future issues and shares his excitement about working with fantasy artist Matt Stawicki, who printed the cover art for painting. Additionally, Kurt talks about story structure and continuity between CROM and the Warlock of Sharrador and CROM of Klarn, teasing new characters like Red Aevlyn and creatures such as the hawk-headed megathons.
The episode concludes with Kurt announcing that pre-orders for CROM Anthology #1 will open soon—with an extreme discount available exclusively to Crommunity members who sign up for the newsletter at cromthebarbarian.com. He encourages supporters to help him reach his goal of selling 100 copies without using Kickstarter, and notes that only ten mock-up editions exist, making them rare collector’s items. Kurt also mentions several other sword & sorcery projects and creators featured in the upcoming anthology, expressing deep gratitude to the Crommunity for their support and collaboration.
Watch the CROM Update 072 video on YouTube:
Educational Highlights:
Kurt explains his process for maintaining Gardner F. Fox’s original storytelling tone while modernizing the world of Crom.
He demonstrates the structure of an anthology project and the balance between editing, artwork, and printing workflow.
He provides insight into independent publishing without Kickstarter and building a creative community through direct engagement.
Use these links to find out more about Kurt inker Brugel.